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There’s a great song hidden somewhere in this unfinished sketch, one of many straight-forward and direct Buckingham efforts that prefer spontaneity over structure and place an emphasis on hooks that are difficult to grasp. Here, we rank the tracks, from the very worst to the weirdest and best. The White Album is a far better comparison – a confounding mess of individual brilliance and hyperactivity, the sound of a band on the brink of collapse because of their own unstoppable creativity. Tusk retains its infamy as both a confounding sequel to a seminal record and a coke-fuelled, Be Here Now or The Second Coming-esque flop, but this is unfair. Some of their songs – like ‘The Ledge’ and ‘That’s All for Everyone’ have only been played a couple of times, according to setlist.fm. I watched the band play in Wembley last year, sans Buckingham, and unsurprisingly none of the tracks from Tusk made it to the setlist. What’s more, forty years later Tusk broke up the band – with Buckingham’s desire to play their lesser known material one of the leading reasons for him being ousted by the other members in 2018. Tusk in no way helped the growing tensions between the band and resulted in the (underrated) course-correction of Mirage and later Tango in the Night.
Fleetwood mac albums best to worst full#
It went on sale at an absurdly high price ($55 injusted for inflation) and had already been bootlegged by the masses after being played in full on the radio. The mammoth 2-LP was essentially a collection of solo records dominated by Lindsay Buckingham’s frantic, hair-pulling attempts to make the band relevant and move away from the sound of Rumours.
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While Rumours may be Fleetwood Mac’s defining album, no record has had an impact on the trajectory of the band like its controversial follow-up, 1979’s Tusk. ‘Short, snappy, horny and rabid, ‘Tusk’ is honest where Rumours was indignant and naive…’